NASHVILLE TRAX Recording Studio

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More outside hits are written by songwriters collaborating with others than by lone songwriters. That would suggest that yes, two, three or even more heads are better than one.

But the chart evidence that a songwriter working alone is perfectly capable of writing a hit is substantial. Both situations have positives and both have negatives.

Collaboration Positives:

1. Companionship for those who hate working alone. 
2. Building your connections network
3. More than one person marketing the song after its finished.
4. Splitting of demo expenses.

Collaboration Negatives:

1. Royalty streams are split.
2. Additional paperwork.
3, Potential disagreements over the use of the song.
4. Potential stress
5. If you self manage the song, additional management time long term.
6. Working by appointment rather than when the mood strikes.

It may be uncomfortable to suggest signing a Collaboration Agreement upfront, but its definitely the way to go. It establishes when the song was started and who was part of the writing process. Ideally it states who is responsible for what expenses,  how royalties will be split. and what happens to the split if a new writer is added later.

Why would that even happen?

Songwriters without the clout and reputation of a hit may submit a song to a major label artist's camp and the artist might love the song but may desire a piece of the songwriting action. Basically you get a choice: Add the artist as a songwriter even though they wrote not a word nor a note, or walk. Fair? That depends on who you ask. But most songwriters will accept that deal and suddenly you have added one or more collaborators.   

If there are only two of you in the original collaboration and that deal is offered, what if you disagree on accepting or declining? A good Collaboration Agreement will address those types of issues. It could be as simple as a blanket statement stating that if you both disagree, you flip a coin to decide.

Another reason a collaborator joins later? A foreign version needs to be created and the new lyric writer wants a piece of the pie.


It may be the status quo and much more fun to just dive in and start writing but it is highly inadvisable to rely on memory. Yes, you just spent hours together creating this masterpiece, who could forget, right? But fifteen years and 150 collaborations down the road all those writing sessions will start to meld together in your mind like fruit in a smoothie blender...what was the name of that chick who helped write that country two step back in 2020...or wait, was she even there? And who wrote that great line about the eagle in the sky...I think that was Jason Smith.er no, maybe it was.. man, write it down. have all parties sign it.





Rates:


 Studio time.: $75 per hour


In-house engineer: $50/hr. 


Interested in booking studio time for your band or solo project at hourly rate? Use your credit card via Pay Pal to send $250 (or more if you think you'll need more time)  to nashtrax@bellsouth.net via PayPal.com  to pay for the minimum 2  hours of  time at Nashville Trax Recording Studio which will confirm a 2  hour  booking with option for at least  two additional hours. Engineer is included. Balance, if any, will be due in cash at the session end, prior to mixes or files being exchanged. Additional days can be scheduled if needed. Total Per hour rate is $125 per hour. E-mail nashtrax@bellsouth.net or call 615-319-8616 immediately after or just prior purchase, to schedule the date and start time and obtain specific pricing for your project.

 

Professional session quality musicians and vocalists are available upon request. Extra per-song or hourly charges apply for musicians and/or session singers requested. 48 Hours notice requested  to schedule a session.